10 Intriguing Facts About Anasara: The Fortnight of Seclusion for Lord Jagannath

1. The Period of Seclusion:

Imagine the bustling Jagannath Temple suddenly falling silent as Lord Jagannath, along with his siblings Balabhadra and Subhadra, retreats from public view. This period, known as Anasara, begins right after the grand Snana Purnima and marks a fortnight of divine seclusion, where the deities are believed to rest and recuperate away from the eyes of their devotees.

Photo Source: Ramakanta Samantaray

2. The Sacred Bath and Divine Illness:

During Snana Purnima, the deities are bathed with 108 pots of sacred water, a ritual so intense that they are said to fall ill. This human-like attribute of the deities, needing time to recover from their “illness,” adds a unique, relatable touch to their divine personas. Anasara is the time when they receive special care and healing.

3. The Secluded Sanctuary:

Picture the deities being moved to the Anasara Ghara, a secluded chamber within the Jagannath Temple. This hidden room becomes their sanctuary, shrouded in mystery and reverence, emphasizing the sacred and intimate nature of this recuperation period. It’s like a divine retreat, away from the constant gaze of the devotees.

4. The Herbal Healing:

In their seclusion, the deities are treated with ‘Phuluri Tela,’ a special herbal oil prepared from medicinal plants and herbs. This ancient Ayurvedic treatment symbolizes the traditional care and devotion bestowed upon the deities. The application of this oil is believed to restore their health and vigor, preparing them for the grand events ahead.

5. The Yearning of Devotees:

During Anasara, devotees are unable to have darshan (sacred viewing) of the deities. Instead, they turn to the nearby Alarnath Temple, believing that Lord Jagannath manifests as Lord Alarnath during this time. This practice keeps the flame of devotion burning brightly, even in the absence of their beloved deities.

6. The Buzz of Preparations:

Behind the scenes, the temple is a hive of activity. Artisans and priests work tirelessly to prepare for the upcoming Ratha Yatra. The chariots are meticulously decorated, and every detail is perfected. Anasara serves as a period of intense preparation, building anticipation for the grand festival to come.

7. The Special Offerings:

During this time, the deities receive unique offerings known as ‘Pati Mahaprasad.’ These special foods, including rice, fruits, and traditional dishes, are believed to aid in the deities’ recovery. The preparation and offering of these foods add a distinctive culinary element to the period, filled with devotion and care.

8. The ‘Nabajouban Darshan’:

As Anasara draws to a close, the deities are believed to regain their youthful vigor in a ritual called ‘Nabajouban Darshan’ (New Youth Viewing). This marks their first public appearance after the seclusion, symbolizing rejuvenation and renewal. The sight of the deities in their refreshed state is a moment of immense joy and celebration for the devotees.

9. The Devotees’ Role:

During Anasara, devotees maintain their faith through rituals at home. They sing bhajans, read scriptures, and make offerings, keeping their spiritual connection alive. This period of waiting and devotion strengthens their bond with the deities, making the eventual reunion all the more meaningful.

10. The Transition to Ratha Jatra:

The end of Anasara seamlessly transitions into the vibrant celebration of Ratha Jatra. The rejuvenated deities are brought out in a grand procession, marking the start of their annual journey. This transition symbolizes a cycle of rest and resurgence, reflecting the eternal rhythms of life and spirituality, and igniting the hearts of millions with divine excitement.

These intriguing facts about Anasara highlight the rich traditions and profound spiritual significance of this period of seclusion for Lord Jagannath. Anasara not only underscores the intimate care given to the deities but also builds a bridge of anticipation leading to the grand festivities of Ratha Yatra, weaving a tapestry of devotion and divine mystery.

About Sumitra Parhi

Sumitra Parhi is a writer, artist and researcher based in Bhubaneswar. She did her higher study in English language and literature from Pondicherry University. Presently she is doing research on traditional art, craft and culture of Odisha.

View all posts by Sumitra Parhi →